
Jack Lemmon
Born: 1925-02-08
Died: 2001-06-27
Born: 1925-02-08
Died: 2001-06-27
Filmography
Release | Title | Role | Age | Watch | IMDb | TMDb |
---|---|---|---|---|---|---|
1949 | The Lady Takes a Sailor | Plasterer (uncredited) | 24 | tt0041573 | 130415 | |
1950 | Once Too Often | Mike (uncredited) | 25 | tt7091400 | 659992 | |
1954 | It Should Happen to You | Pete Sheppard | 29 | tt0047123 | 20127 | |
1954 | Phffft | Robert Tracey | 29 | tt0047349 | 80316 | |
1955 | Three for the Show | Martin 'Marty' Stewart | 30 | tt0048719 | 261550 | |
1955 | Mister Roberts | Ensign Frank Pulver | 30 | tt0048380 | 37853 | |
1955 | My Sister Eileen | Bob Baker | 30 | tt0048401 | 60966 | |
1956 | You Can't Run Away from It | Peter Warne | 31 | tt0049973 | 59142 | |
1957 | Fire Down Below | Tony | 32 | tt0050397 | 56188 | |
1957 | Operation Mad Ball | Pvt. Hogan | 32 | tt0050805 | 60387 | |
1958 | Cowboy | Frank Harris | 33 | tt0051496 | 39435 | |
1958 | Bell, Book and Candle | Nicky Holroyd | 33 | tt0051406 | 2006 | |
1959 | Some Like It Hot | Jerry (Daphne) | 34 | ✅ | tt0053291 | 239 |
1959 | It Happened to Jane | George Denham | 34 | tt0052933 | 40957 | |
1960 | The Apartment | C.C. Baxter | 35 | tt0053604 | 284 | |
1960 | Pepe | Jack Lemmon | 35 | tt0054172 | 82792 | |
1960 | The Wackiest Ship in the Army | Rip Crandall | 35 | tt0054453 | 43752 | |
1962 | The New March of Dimes Presents: The Scene Stealers | Self | 37 | tt2375651 | 298189 | |
1962 | The Notorious Landlady | Bill Gridley | 37 | tt0056289 | 49844 | |
1963 | Days of Wine and Roses | Joe Clay | 38 | tt0055895 | 32488 | |
1963 | Irma la Douce | Nestor Patou | 38 | tt0057187 | 2690 | |
1963 | Under the Yum-Yum Tree | Hogan | 38 | tt0057622 | 43750 | |
1964 | Good Neighbor Sam | Sam Bissel | 39 | tt0058153 | 3011 | |
1965 | How to Murder Your Wife | Stanley Ford | 40 | tt0058212 | 26685 | |
1965 | The Great Race | Professor Fate | 40 | tt0059243 | 11575 | |
1966 | The Fortune Cookie | Harry Hinkle | 41 | tt0060424 | 1888 | |
1967 | Luv | Harry Berlin | 42 | tt0061927 | 163376 | |
1968 | The Odd Couple | Felix Ungar | 43 | tt0063374 | 11356 | |
1969 | The April Fools | Howard Brubaker | 44 | tt0064036 | 90563 | |
1970 | The Out-of-Towners | George Kellerman | 45 | tt0066193 | 20444 | |
1971 | Kotch | Sleeping Bus Passenger (uncredited) | 46 | tt0067314 | 76002 | |
1972 | S Wonderful, 'S Marvelous, 'S Gershwin | Self - Host | 47 | tt0329952 | 802600 | |
1972 | The War Between Men and Women | Peter Wilson | 47 | tt0069483 | 163392 | |
1972 | Avanti! | Wendell Armbruster, Jr. | 47 | tt0068240 | 12530 | |
1973 | Save the Tiger | Harry Stoner | 48 | tt0070640 | 38714 | |
1974 | Wednesday | Jerry Murphy | 49 | tt0168251 | 706865 | |
1974 | The Front Page | Hildebrand Johnson | 49 | tt0071524 | 987 | |
1975 | The Prisoner of Second Avenue | Mel Edison | 50 | tt0072034 | 19221 | |
1975 | Killer Cop | Narrator (voice) | 50 | tt0072008 | 96477 | |
1976 | The Entertainer | Archie Rice | 51 | tt0072942 | 266100 | |
1976 | Alex & the Gypsy | Alexander Main | 51 | tt0074112 | 147157 | |
1976 | The Gentleman Tramp | Narrator | 51 | tt0073039 | 162208 | |
1977 | Airport '77 | Don Gallagher | 52 | tt0075648 | 7227 | |
1979 | The China Syndrome | Jack Godell | 54 | tt0078966 | 988 | |
1980 | Tribute | Scottie Templeton | 55 | tt0081656 | 130917 | |
1981 | Musical Comedy Tonight II | Self | 56 | tt0344088 | 797477 | |
1981 | Buddy Buddy | Victor Clooney | 56 | tt0082111 | 36133 | |
1981 | All-Star Party for Burt Reynolds | Self | 56 | tt1193454 | 744130 | |
1982 | Missing | Ed Horman | 57 | tt0084335 | 15600 | |
1982 | Night of 100 Stars | Self | 57 | tt0355825 | 541703 | |
1982 | Hollywood: The Gift of Laughter | Self | 57 | tt0355538 | 828686 | |
1982 | Portrait of a '60% Perfect Man': Billy Wilder | Self | 57 | tt0447372 | 153100 | |
1984 | Mass Appeal | Father Tim Farley | 59 | tt0087688 | 110643 | |
1985 | Jacques Cousteau: The First 75 Years | Self | 60 | tt0285238 | 835356 | |
1985 | Macaroni | Robert Traven | 60 | tt0089529 | 60202 | |
1986 | Debonair Dancers | Narrator | 61 | tt0090921 | 244679 | |
1986 | Kraft Salutes the George Burns 90th Birthday Special | Self | 61 | tt1373385 | 1291502 | |
1986 | Marilyn Monroe: Beyond the Legend | Self (from Some Like It Hot [1959]) (archive footage) | 61 | tt0163735 | 732004 | |
1986 | That's Life! | Harvey Fairchild | 61 | tt0092079 | 52961 | |
1987 | Long Day's Journey Into Night | James Tyrone | 62 | tt0093432 | 237549 | |
1988 | Gregory Peck: His Own Man | Self | 63 | tt0816516 | 686301 | |
1988 | Happy Birthday, Bob: 50 Stars Salute Your 50 Years with NBC | Self (archive footage) | 63 | tt2092434 | 606651 | |
1989 | Dad | Jake Tremont | 64 | tt0097142 | 21291 | |
1989 | Harold Lloyd: The Third Genius | Self | 64 | tt0208197 | 378600 | |
1990 | Rita Hayworth: Dancing Into the Dream | Self | 65 | tt0426191 | 237821 | |
1990 | The Life and Legend of Jane Goodall | Self - Narrator (voice) | 65 | tt10666760 | 938529 | |
1990 | The Earth Day Special | Coach Stewart | 65 | tt0255132 | 405806 | |
1990 | The American Film Institute Presents: TV or Not TV? | Self - Host | 65 | tt0888001 | 1038767 | |
1991 | The One, the Only... Groucho | Self | 66 | tt0142366 | 663345 | |
1991 | JFK | Jack Martin | 66 | tt0102138 | 820 | |
1992 | For Richer, for Poorer | Aram Katourian | 67 | tt0104288 | 59136 | |
1992 | The Player | Jack Lemmon | 67 | tt0105151 | 10403 | |
1992 | James Cagney: Top of the World | Self | 67 | tt0319590 | 334919 | |
1992 | Glengarry Glen Ross | Shelley Levene | 67 | tt0104348 | 9504 | |
1992 | Earth and the American Dream | Reader (voice) | 67 | tt0289172 | 681138 | |
1993 | Beyond JFK: The Question of Conspiracy | Self | 68 | tt0103801 | 334934 | |
1993 | Luck, Trust & Ketchup: Robert Altman in Carver Country | Self | 68 | tt0107455 | 171961 | |
1993 | Short Cuts | Paul Finnigan | 68 | tt0108122 | 695 | |
1993 | A Life in the Theatre | Robert | 68 | tt0107412 | 173763 | |
1993 | Grumpy Old Men | John Gustafson | 68 | tt0107050 | 11520 | |
1995 | The Grass Harp | Dr. Morris Ritz | 70 | tt0113211 | 46732 | |
1995 | Inside the Dream Factory | Self | 70 | tt0322772 | 771245 | |
1995 | Grumpier Old Men | John Gustafson | 70 | tt0113228 | 15602 | |
1996 | Getting Away with Murder | Mueller / Luger | 71 | tt0116405 | 25697 | |
1996 | Shirley Maclaine: Kicking Up Her Heels | Self | 71 | tt0854163 | 685538 | |
1996 | A Weekend in the Country | Bud Bailey | 71 | tt0118129 | 292517 | |
1996 | Jack Lemmon: America's Everyman | Self | 71 | tt0819656 | 631802 | |
1996 | Fred MacMurray: The Guy Next Door | Self | 71 | tt0479040 | 1028327 | |
1996 | My Fellow Americans | President Russell P. Kramer | 71 | tt0117119 | 17795 | |
1996 | Hamlet | Marcellus | 71 | tt0116477 | 10549 | |
1997 | Walter Matthau: Diamond in the Rough | Self | 72 | tt5085232 | 727613 | |
1997 | Out to Sea | Herb Sullivan | 72 | tt0119848 | 18080 | |
1997 | 12 Angry Men | Juror 8 | 72 | tt0118528 | 12219 | |
1998 | Billy Wilder: The Human Comedy | Self | 73 | tt0965722 | 453334 | |
1998 | The Long Way Home | Tom Gerrin | 73 | tt0143436 | 111693 | |
1998 | The Odd Couple II | Felix Ungar | 73 | tt0120773 | 27472 | |
1998 | Off the Menu: The Last Days of Chasen's | Self | 73 | tt0158831 | 85984 | |
1998 | Private Screenings: Jack Lemmon and Walter Matthau | Self | 73 | tt0679215 | 831951 | |
1999 | Forever Hollywood | Self | 74 | tt0225781 | 599031 | |
1999 | Inherit the Wind | Henry Drummond | 74 | tt0196632 | 103648 | |
1999 | Tuesdays with Morrie | Morrie Schwartz | 74 | tt0207805 | 26133 | |
2000 | Altman on His Own Terms | Self | 75 | tt0398679 | 1439040 | |
2000 | Klaus Kinski: I'm not an actor | Self (archive footage) | 75 | tt1408025 | 1032957 | |
2000 | The Legend of Bagger Vance | Narrator | 75 | tt0146984 | 4958 | |
2000 | On Cukor | Self | 75 | tt0268920 | 1142576 | |
2001 | Nobody's Perfect - The Making of Some Like It Hot | Self | ❌ | tt12240520 | 710175 | |
2002 | Magic Time: A Tribute to Jack Lemmon | Self (archive footage) | ❌ | tt0407968 | 816358 | |
2003 | Christmas in Hollywood | Self (archive footage) | ❌ | tt0447615 | 253089 | |
2004 | Uta Hagen's Acting Class | Self | ❌ | tt0313741 | 659022 | |
2004 | The China Syndrome: A Fusion of Talent | Self (archive footage) | ❌ | tt0440202 | 672283 | |
2004 | The China Syndrome: Creating a Controversy | Self (archive footage) | ❌ | tt0440203 | 672285 | |
2005 | Nos Bastidores de Hollywood | Self | ❌ | N/A | 1242980 | |
2006 | The Legacy of 'Some Like It Hot' | Self (archive footage) | ❌ | tt1314201 | 228360 | |
2006 | The Making of 'Some Like It Hot' | Self (archive footage) | ❌ | tt0899073 | 228365 | |
2007 | Magic Time: The Art of Jack Lemmon | Self (archive footage) | ❌ | N/A | 638687 | |
2008 | Inside 'The Apartment' | Self (archive footage) | ❌ | tt1254961 | 701078 | |
2008 | Starz Inside: Ladies or Gentlemen | Self (archive footage) | ❌ | tt1295069 | 235737 | |
2009 | Johnny Mercer: The Dream's on Me | Self | ❌ | tt1543216 | 274061 | |
2014 | And the Oscar Goes To... | Self (archive footage) | ❌ | tt3481232 | 253639 | |
2017 | John G. Avildsen: King of the Underdogs | Self (voice)/(archive footage) | ❌ | tt3180122 | 366633 | |
2018 | Always at The Carlyle | Self (archive footage) | ❌ | tt4151320 | 370756 | |
2023 | Sly | Self (archive footage) (uncredited) | ❌ | tt28254460 | 1146302 | |
Links
- IMDb: Jack Lemmon
- TMDb: Jack Lemmon
- https://www.imdb.com/name/nm0000493/bio/?ref_=nm_ov_bio_sm#mini_bio
Bio
Jack Lemmon was born on February 8, 1925 in Newton, Massachusetts, a suburb of Boston. He initially acted on TV before moving to Hollywood for the big screen, cultivating a career that would span decades. An eight time Academy Award nominee, with two wins, Lemmon starred in over 60 films including Nekdo to rád horké (1959), Byt (1960), Sladká Irma (1963), Podivný Pár (1968), Save the Tiger (1973) and Dej si pohov, kámosi (1993). Some of his most beloved performances stemmed from his collaborations with acclaimed director Billy Wilder and with his fellow friend and actor Walter Matthau.A versatile and beloved performer, Jack Lemmon was a celebrated virtuoso in both comedy and drama. The only child of Mildred Lankford Noel and John Uhler Lemmon Jr., who was the president of a doughnut company, Lemmon had a fairly affluent upbringing. He attended the prestigious Phillips Academy (Class of 1943) and Harvard College (Class of 1947). At Harvard, Lemmon found his passion for theater. He was also a member of the V-12 Navy College Training Program and served briefly as an ensign on an aircraft carrier during World War II before returning to Harvard following his time served in the military.
After college, Lemmon moved to New York City and spent much of his time there playing piano in a bar before landing small roles on the radio, stage and television. Two years later, Lemmon earned his first big role in the comedy war drama Mister Roberts (1955) with Henry Fonda and James Cagney. His complex portrayal of a somewhat dishonest but sensitive character earned him the Academy Award for Best Supporting Actor.
Lemmon would go on to work on a number of films with comedian and close friend Ernie Kovacs, including Bell Book and Candle (1958). In 1959, Lemmon gave one of the top comedic performances of his career when he starred alongside Tony Curtis in the romantic comedy film Nekdo to rád horké (1959), the first of several collaborations with director Billy Wilder. Lemmon also received critical acclaim for his portrayal of C.C. 'Bud' Baxter in the Byt (1960) while working again with Wilder. Lemmon enjoyed great success on the big screen throughout the 1950s and 60s.
Štístko (1966) served as the start of a comedic partnership between Lemmon and Walter Matthau and the two would come together again, two years later, for Podivný Pár (1968), one of their most endearing films together. As the 1970s came around, Lemmon began to undertake more dramatic roles and won the Academy Award for Best Actor for his performance in Save the Tiger (1973). Throughout the 80s and 90s, Lemmon continued to excel in his character performances and earned a Life Achievement Award from the American Film Institute in 1988.
Sometimes referred to as "America's Everyman", Lemmon's versatility as an actor helped the audience more closely identify and relate to him. He was able always to elicit a laugh or sympathy from his viewers and his charismatic presence always shined on the big screen. He often portrayed the quintessence of aspiring man and established a lasting impression on the film industry.
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